The recent acquisition of 100 works by Indigenous artists at the Phoenix Art Museum marks a significant milestone in the world of art, offering a unique perspective on Native American creative resilience over a century. This collection, comprising 185 artworks, is a testament to the enduring spirit of Native American artists, showcasing their ability to navigate and express their experiences through art. The exhibition, titled 'The Way We Came: A Century of Indigenous Art The William P. Healey Collection', is a celebration of the rich history and cultural significance of Native American art. The curator, JoAnna Reyes, and co-curator Tony Abeyta, a longtime friend of the donor William Healey, have crafted a narrative that highlights the artists' resilience and their unique perspectives on the American Indian experience. The collection includes works by renowned artists such as Jaune-Quick-to-See Smith, Tony Abeyta, and T.C. Cannon, each bringing their distinct style and voice to the exhibition. The story of this collection is one of personal journeys and artistic evolution. Tony Abeyta's interest in capturing the 'story of the American Indian from their perspective' led him to consult with Healey, resulting in a collection that includes the violent legacy of Native American forced-assimilation boarding schools. Abeyta's father, Narciso Abeyta, a former member of the elite Navajo Code Talkers, also played a pivotal role in the collection's narrative. After serving in World War II, Narciso Abeyta's art underwent a transformation, becoming more expressive and theatrical, reflecting his experiences and the impact of his service. The Phoenix Art Museum's acquisition of this collection is a significant contribution to the preservation and celebration of Native American art. It serves as a reminder of the importance of understanding and appreciating the diverse artistic expressions of Native American communities. The exhibition not only showcases the works of these talented artists but also provides a platform for visitors to engage with and learn about the rich history and cultural significance of Native American art. The term 'survivance,' popularized by Anishinaabe scholar Gerald Vizenor, encapsulates the essence of this collection. It represents the 'survival' and 'resistance' that Native American communities embody, a powerful message that resonates with the artistic expressions on display. The Phoenix Art Museum's acquisition of this collection is a testament to the institution's commitment to cultural diversity and its role as a guardian of Native American art. It invites visitors to explore and appreciate the rich tapestry of Native American creativity, offering a unique and thought-provoking experience that highlights the enduring spirit of Indigenous artists.
